Las Reproducciones del Oleo de Europa España no Mínimo

 
 

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Sir Edward Coley Burne-Jones

British Pre-Raphaelite Painter, 1833-1898

Pintura Identificación::  279
Spring
Primavera
1869-70
1869-70
British Pre-Raphaelite Painter, 1833-1898

   
 

 

 
   
      

This artist (Edvard Munch) is not available now.

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Pintura Identificación::  3269
Spring
Primavera
1563 Real Academia de Bellas Artes de San Fernando, Madrid
1563 Real Academia de Bellas Artes de San Fernando, Madrid
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

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Franz von Stuck

German Symbolist/Expressionist Painter and Sculptor, 1863-1928

Pintura Identificación::  3717
Spring
Primavera
1912 Hessisches Landesmuseum, Darmstadt
1912 Hessisches LandesMuseo, Darmstadt
German Symbolist/Expressionist Painter and Sculptor, 1863-1928

   
 

 

 
   
      

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Burne-Jones, Sir Edward Coley

British Pre-Raphaelite Painter, 1833-1898

Pintura Identificación::  18892
Spring
Primavera
1869-70, gouache, private collection
1869-70, gouache, colección privada
British Pre-Raphaelite Painter, 1833-1898

   
 

 

 
   
      

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Jean-Franc Millet

French Realist Painter, 1814-1875

Pintura Identificación::  10544
Spring
Primavera
1868 Oil on canvas Musee dorsay, Paris, France
1868 Óleo en lona Musee dorsay, Paris, Francia
French Realist Painter, 1814-1875

   
 

 

 
   
      

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Jean Francois Millet

1814-1875 French Jean Francois Millet Galleries

Pintura Identificación::  11015
spring
Primavera
1868-1873 2' 9 3/4'' x 3' 7 3/4''(86 x 111cm) Gift of Mrs.Frederic Hartmann,1887.RF 509
1868-1873 2- 9 3-4-- x 3- 7 3-4---86 x 111cm- Regalo deMrs.Frederic Hartmann,1887.RF 509
1814-1875 French Jean Francois Millet Galleries

   
 

 

 
   
      

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Francois Boucher

French Rococo Era Painter, 1703-1770

Pintura Identificación::  26657
Spring
la Primavera
mk53 1745 oil on canvas 98.5x132cm
mk53 1745 engrasan en la lona 98.5x132cm
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906

Pintura Identificación::  27723
Spring
Salta
mk62 1860-1862 Le Printemps Oil on canvas 314x97cm Venturi 4,Paris,Musee de la ville de Paris, Petit Palais
mk62 1860-1862 Petróleode Le Printemps en el Difusor de lona 314x97cm 4, París, Musee de ville de la de París, Palacio de Petit
French Post-Impressionist Painter, 1839-1906

   
 

 

 
   
      


Pintura Identificación::  28006
Spring
Salta
1864 Watercolour 62.2 x 50.2cm(24 1/2 x 19 3/4 in ) Victoria and Albert Museum,London (mk63)
1864 Acuarela 62,2 X 50.2cm(24 1/2 X 19 3/4 en) Victoria y Museo de Albert, Londres (mk63)
1840-1875

   
 

 

 
   
      

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Pintura Identificación::  30518
Spring
Salta
mk68 Oil on canva 30"x25" Madrid,San Fernando Royal Academy of Fine Arts 1573 Italy
el Petróleo mk68 en el canva 30x25 Madrid, San Fernando Academia Real de bellas artes 1573 Italia
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

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Charles Francois Daubigny

b Feb. 15, 1817, Paris, France d.Feb. 19, 1878, Paris French

Pintura Identificación::  30703
Spring
Salta
mk68 Oil on canvas Paris,Louvre 1857 France
el Petróleo mk68 en la lona París, Louvre 1857 Francia
b Feb. 15, 1817, Paris, France d.Feb. 19, 1878, Paris French

   
 

 

 
   
      

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Nicolae Grigorescu

Romanian Painter, 1838-1907

Pintura Identificación::  30784
Spring
Salta
nn06 Oil on canvas 129x62cm Art Museum Constanta
el Petróleonn06 en el Museo de Arte de lona 129x62cm Constanta
Romanian Painter, 1838-1907

   
 

 

 
   
      

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Jean Francois Millet

1814-1875 French Jean Francois Millet Galleries

Pintura Identificación::  30814
Spring
Salta
mk68 Oil on canvas Paris,Orsay Museum 1868-1873 France
el Petróleo mk68 en la lona París, Museo de Orsay 1868-1873 Francia
1814-1875 French Jean Francois Millet Galleries

   
 

 

 
   
      

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Pintura Identificación::  30925
Spring
Salta
mk68 1573
mk68 1573
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

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Charles Francois Daubigny

b Feb. 15, 1817, Paris, France d.Feb. 19, 1878, Paris French

Pintura Identificación::  30936
Spring
Salta
mk68 1857
mk68 1857
b Feb. 15, 1817, Paris, France d.Feb. 19, 1878, Paris French

   
 

 

 
   
      

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Pintura Identificación::  33464
Spring
la Primavera
mk86 1563 Oil on wood 66.7x50.4cm Madrid
mk86 1563 Engrasan en la madera 66.7x50.4cm Madrid
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

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Jean Francois Millet

1814-1875 French Jean Francois Millet Galleries

Pintura Identificación::  34684
Spring
Salta
mk93 1868-1873 86x111cm
mk93 1868-1873 86x111cm
1814-1875 French Jean Francois Millet Galleries

   
 

 

 
   
      

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Kuzma Petrov-Vodkin

Russian Painter, 1878-1939

Pintura Identificación::  35115
Spring
la Primavera
mk100 1935 Oil on canvas 186x159cm
mk100 1935 Engrasan en la lona 186x159cm
Russian Painter, 1878-1939

   
 

 

 
   
      

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Georges Seurat

French Pointillist Painter, 1859-1891

Pintura Identificación::  35825
Spring
Salta
mk106 about 1884 25x16cm
mk106 acerca de 1884 25x16cm
French Pointillist Painter, 1859-1891

   
 

 

 
   
      

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Kasimir Malevich

1878-1935 Kasimir Malevich Gallery

Pintura Identificación::  36212
Spring
la Primavera
mk110 1905-1906 Oil on canvas 53x66cm
mk110 1905-1906 Engrasanen la lona 53x66cm
1878-1935 Kasimir Malevich Gallery

   
 

 

 
   
      

This artist (Edvard Munch) is not available now.

This artist (Edvard Munch) is not available now.

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Francisco Goya

1746-1828

Pintura Identificación::  38277
Spring
la Primavera
mk132 1786-87 Oil on canvas 177x192cm
mk132 1786-87 Engrasan en la lona177x192cm
1746-1828

   
 

 

 
   
      

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Pintura Identificación::  40391
Spring
la Primavera
mk156 1573 Oil on canvas 76x64cm
mk156 1573 Engrasan en la lona 76x64cm
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

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Atkinson Grimshaw

British 1836-1893 Atkinson Grimshaw Gallery

Pintura Identificación::  44608
Spring
mk174 1875 Oil on canvas 61x91cm
British 1836-1893 Atkinson Grimshaw Gallery

   
 

 

 
   
      


Pintura Identificación::  48507
Spring
mk190 1643 British Musuem

   
 

 

 
   
      

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Claude Monet

French Impressionist Painter, 1840-1926

Pintura Identificación::  48697
Spring
mk191 1873 56x75cm
French Impressionist Painter, 1840-1926

   
 

 

 
   
      

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Claude Monet

French Impressionist Painter, 1840-1926

Pintura Identificación::  48700
Spring
mk191 Oil on canvas
French Impressionist Painter, 1840-1926

   
 

 

 
   
      

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Francisco Goya

1746-1828

Pintura Identificación::  50678
Spring
mk214 1786-7 Oil on canvas 277x192cm
1746-1828

   
 

 

 
   
      

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J.J.Tissot

French 1836-1902

Pintura Identificación::  51800
Spring
mk221 1865 Oil on canvas 91.4x127cm
French 1836-1902

   
 

 

 
   
      

This artist (Edvard Munch) is not available now.

This artist (Edvard Munch) is not available now.

This artist (Edvard Munch) is not available now.

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Jean Francois Millet

1814-1875 French Jean Francois Millet Galleries

Pintura Identificación::  55861
Spring
mk245 1868-1873 86x111cm
1814-1875 French Jean Francois Millet Galleries

   
 

 

 
   
      

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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

Pintura Identificación::  57751
Spring
mk259 1872 Oil on canvas years 55 x 130 cm
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

   
 

 

 
   
      

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Agnolo Bronzino

Italian Mannerist Painter, 1503-1572

Pintura Identificación::  58370
Spring
mk261 Florence New Year 1546 blanket 235 x 168 cm
Italian Mannerist Painter, 1503-1572

   
 

 

 
   
      

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Carl Larsson

Swedish Realist Painter, 1853-1919

Pintura Identificación::  59531
Spring
Spring (Varen) (1907
Swedish Realist Painter, 1853-1919

   
 

 

 
   
      

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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

Pintura Identificación::  60547
Spring
mk259 1872 Oil on canvas 55 x 130 cm
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

   
 

 

 
   
      

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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

Pintura Identificación::  60728
Spring
mk259 1894 Oil on canvas 60.3 x 73 cm
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

   
 

 

 
   
      

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906

Pintura Identificación::  60792
Spring
mk273 1860 Oil on canvas 314 x97 cm
French Post-Impressionist Painter, 1839-1906

   
 

 

 
   
      

This artist (Louis Lcart) is not available now.

This artist (Louis Lcart) is not available now.

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Frederic Soulacroix

19th Century Portrait Painter Victorian Period.1825-1879

Pintura Identificación::  71949
Spring
1858-1933 Oil on canvas 54.6 x 82.6 cm
19th Century Portrait Painter Victorian Period.1825-1879

   
 

 

 
   
      

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Frederic Soulacroix

19th Century Portrait Painter Victorian Period.1825-1879

Pintura Identificación::  73446
Spring
Date 1858-1933 Medium Oil on canvas Dimensions 54.6 x 82.6 cm ? cyf
19th Century Portrait Painter Victorian Period.1825-1879

   
 

 

 
   
      

This artist (Arthur streeton) is not available now.

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Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

Pintura Identificación::  76011
Spring
between 1616(1616) and 1617(1617) Oil on canvas cjr
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

   
 

 

 
   
      

This artist (Arthur streeton) is not available now.

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Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

Pintura Identificación::  77945
Spring
between 1616(1616) and 1617(1617) Medium Oil on canvas cyf
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

   
 

 

 
   
      

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Sir John Everett Millais

British 1829-1896 Sir John Everett Millais Galleries

Pintura Identificación::  78667
Spring
Oil on canvas, 43-1/2 x 68 in Date 1856-59 cyf
British 1829-1896 Sir John Everett Millais Galleries

   
 

 

 
   
      

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Sir John Everett Millais

British 1829-1896 Sir John Everett Millais Galleries

Pintura Identificación::  79339
Spring
Oil on canvas, 43-1/2 x 68 in Date 1856-59 cyf
British 1829-1896 Sir John Everett Millais Galleries

   
 

 

 
   
      

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emile-Rene Menard

(1861 - 1930) was a French painter born in Paris. From early childhood he was immersed in an artistic environment: Corot, Millet and the Barbizon painters frequented his family home, familiarizing him thus with both landscape and antique subjects. Menard studied at the Academy Jullian from 1880 after having been a student of Baudry, Bouguereau, and Henri Lehmann. He participated in the Salon of the Secession in Munich, and the Salon de la Libre Esthetique in Brussels during 1897. Several personal exhibitions were also devoted to him at the Georges Small Gallery. In 1921 he exhibited in the Twelfth Salon along with Henri Martin and Edmond Aman-Jean. Galleries in Buffalo, New York and Boston, Massachusetts exposed Menard and his art to the United States. However, the numerous commissions that Menard received from the French government crowned his career; for example, the cycle for the Hautes Etudes e la Sorbonne, the Faculte de Droit, and the fresco Atoms for the Chemistry institute, and finally the Caise des Depôts in Marseilles. Menard's art allies a rigorous, clear classicism with a diffuse and dreamlike brushwork. In 1894, Victor Shoe wrote of Menard in l' Art et la Vie (Art and Life): "visions of a pacified, bathed nature, of dawn and of twilight, where the soul seems to immerse itself in the innocence of daybreak, and breathe the divine anointment that comes with the dawn."

Pintura Identificación::  81282
Spring
Date 19th century Medium Oil on canvas Dimensions 199 x 222 cm (78.3 x 87.4 in) cjr
(1861 - 1930) was a French painter born in Paris. From early childhood he was immersed in an artistic environment: Corot, Millet and the Barbizon painters frequented his family home, familiarizing him thus with both landscape and antique subjects. Menard studied at the Academy Jullian from 1880 after having been a student of Baudry, Bouguereau, and Henri Lehmann. He participated in the Salon of the Secession in Munich, and the Salon de la Libre Esthetique in Brussels during 1897. Several personal exhibitions were also devoted to him at the Georges Small Gallery. In 1921 he exhibited in the Twelfth Salon along with Henri Martin and Edmond Aman-Jean. Galleries in Buffalo, New York and Boston, Massachusetts exposed Menard and his art to the United States. However, the numerous commissions that Menard received from the French government crowned his career; for example, the cycle for the Hautes Etudes e la Sorbonne, the Faculte de Droit, and the fresco Atoms for the Chemistry institute, and finally the Caise des Depôts in Marseilles. Menard's art allies a rigorous, clear classicism with a diffuse and dreamlike brushwork. In 1894, Victor Shoe wrote of Menard in l' Art et la Vie (Art and Life): "visions of a pacified, bathed nature, of dawn and of twilight, where the soul seems to immerse itself in the innocence of daybreak, and breathe the divine anointment that comes with the dawn."

   
 

 

 
   
      

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Jan Preisler

Czechoslovakian, 1872-1918

Pintura Identificación::  82864
Spring
Date 1906(1906) Medium Oil on canvas Dimensions 118 x 132 cm (46.5 x 52 in) cjr
Czechoslovakian, 1872-1918

   
 

 

 
   
      

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Louis Janmot

(21 May 1814 - 1 June 1892) was a French painter and poet. Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin. After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras. In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.

Pintura Identificación::  82930
Spring
Date 1854(1854) Medium Oil on wood cjr
(21 May 1814 - 1 June 1892) was a French painter and poet. Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin. After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras. In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.

   
 

 

 
   
      

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Menard, Emile-Rene

French, 1862-1930

Pintura Identificación::  85342
Spring
19th century Medium Oil on canvas Dimensions 199 x 222 cm (78.3 x 87.4 in) cyf
French, 1862-1930

   
 

 

 
   
      

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Louis Janmot

(21 May 1814 - 1 June 1892) was a French painter and poet. Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin. After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras. In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.

Pintura Identificación::  86740
Spring
1854(1854) Medium Oil on wood cyf
(21 May 1814 - 1 June 1892) was a French painter and poet. Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin. After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras. In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.

   
 

 

 
   
      

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Jacob Grimmer

(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.

Pintura Identificación::  89796
Spring
second half of 16th century Medium oil on panel cyf
(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.

   
 

 

 
   
      

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Konstantin Alekseevich Korovin

painted Moon Night, Paris in 1861-1939

Pintura Identificación::  91429
Spring
1917(1917) Medium oil on canvas cyf
painted Moon Night, Paris in 1861-1939

   
 

 

 
   
      

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Alfons Mucha

known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs. Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. During 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.

Pintura Identificación::  93795
Spring
1896(1896) Medium oil on panel cjr
known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs. Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. During 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.

   
 

 

 
   
      

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Laura Theresa Alma-Tadema

(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.

Pintura Identificación::  95174
Spring
This is a reproduction of the 1894 painting Spring by Lawrence Alma-Tadema. cyf
(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.

   
 

 

 
   
      

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Lotz, Karoly

Hungarian Painter, 1833-1904

Pintura Identificación::  95591
Spring
1894(1894) Medium oil on canvas cyf
Hungarian Painter, 1833-1904

   
 

 

 
   
      

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Jan Preisler

Czechoslovakian, 1872-1918

Pintura Identificación::  96339
Spring
1906(1906) Medium oil on canvas Dimensions 118 X 132 cm cyf
Czechoslovakian, 1872-1918

   
 

 

 
   
      

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Auguste Borget

Auguste Borget (1808-1877) was a French artist who is best known for his drawings and prints of exotic places, in particular China. He was born in 1808 in Issoudun, Indre. At age 21, he went to Paris where he became a close friend of Honore de Balzac. Borget periodically exhibited at the Paris Salon from 1836 to 1859. Beginning in 1836, he traveled through North and South America before stopping briefly in Honolulu in May, 1838, on board the ship "Psyche", on a world tour. He went to Canton in September 1838 and stayed in the region for 10 months. While in Canton, he met the English artist George Chinnery, and they went on sketching trips together. In July 1839 he visited Manila, Singapore and Calcutta. In 1840 he traveled widely in India, returning to Paris in the summer of that year. Borgetes sketches and watercolors from China were the basis for his most famous publication "Sketches of China and the Chinese", published in 1842. His book "La Chine ouverte" was illustrated with fine woodcut engravings. A major Salon of his original works, including watercolors and boldly executed oil paintings was held in Paris in 1843. Borget died in 1877.

Pintura Identificación::  96519
Spring
1911(1911) Medium oil on canvas cyf
Auguste Borget (1808-1877) was a French artist who is best known for his drawings and prints of exotic places, in particular China. He was born in 1808 in Issoudun, Indre. At age 21, he went to Paris where he became a close friend of Honore de Balzac. Borget periodically exhibited at the Paris Salon from 1836 to 1859. Beginning in 1836, he traveled through North and South America before stopping briefly in Honolulu in May, 1838, on board the ship "Psyche", on a world tour. He went to Canton in September 1838 and stayed in the region for 10 months. While in Canton, he met the English artist George Chinnery, and they went on sketching trips together. In July 1839 he visited Manila, Singapore and Calcutta. In 1840 he traveled widely in India, returning to Paris in the summer of that year. Borgetes sketches and watercolors from China were the basis for his most famous publication "Sketches of China and the Chinese", published in 1842. His book "La Chine ouverte" was illustrated with fine woodcut engravings. A major Salon of his original works, including watercolors and boldly executed oil paintings was held in Paris in 1843. Borget died in 1877.

   
 

 

 
   
      

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Pierre Auguste Cot

(February 17, 1837 ?C 1883) was a French painter of the Academic Classicism school. He was born in B??darieux, and initially studied at l'Ecole des Beaux-Arts in Toulouse before going to Paris. He studied under Leon Cogniet, Alexandre Cabanel and William-Adolphe Bouguereau. From the 1870s, his popularity grew quickly. In 1874 he was made Chevalier of the Legion of Honour. He created several works of lasting popularity, including Le Printemps, featuring two young lovers sitting upon a swing, and The Storm. Both these paintings are on display at the Metropolitan Museum of Art in New York City;

Pintura Identificación::  96940
Spring
1873(1873) Medium oil on canvas Dimensions 203.2 X 127 cm cyf
(February 17, 1837 ?C 1883) was a French painter of the Academic Classicism school. He was born in B??darieux, and initially studied at l'Ecole des Beaux-Arts in Toulouse before going to Paris. He studied under Leon Cogniet, Alexandre Cabanel and William-Adolphe Bouguereau. From the 1870s, his popularity grew quickly. In 1874 he was made Chevalier of the Legion of Honour. He created several works of lasting popularity, including Le Printemps, featuring two young lovers sitting upon a swing, and The Storm. Both these paintings are on display at the Metropolitan Museum of Art in New York City;

   
 

 

 
   
      

Pierre Auguste Cot
(February 17, 1837 ?C 1883) was a French painter of the Academic Classicism school. He was born in B??darieux, and initially studied at l'Ecole des Beaux-Arts in Toulouse before going to Paris. He studied under Leon Cogniet, Alexandre Cabanel and William-Adolphe Bouguereau. From the 1870s, his popularity grew quickly. In 1874 he was made Chevalier of the Legion of Honour. He created several works of lasting popularity, including Le Printemps, featuring two young lovers sitting upon a swing, and The Storm. Both these paintings are on display at the Metropolitan Museum of Art in New York City;
Spring

        
 
   
 

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